Than "Everybody's got something to hide cept for me and my monkey" and certainly more meaningful than "Mean Mr. Playing it this morming overĬoffee and looking out at the rain falling in the backyard this song goes right through me. "Across the Universe" is one of Lennon's very best songs, just haunting. "Dig a Pony" is a classic John rocker with a great riff and harmonies that remind me why I love this band in Have memories longer than the road that stretches out ahead." My good God, listen to the vocal harmonies on this trackĭance with the bass lines and the wistful melody. "Two of Us" is such a beautiful ode to friendship and nostalgia that it nearly brings me to tears when I hear it. It's actually very good for art, it adds an edge youĭon't necessarily get when you're happy.". In a new and intense way which wasn't the worst thing for the music. And "There was a lot of emotion and love going on between us all but Started we turned back into those brothers.". Take if from the lads themselves: "There was a lot ofĮmotional turmoil going on amongst us, but the music always surpassed any bull we were going through. Through the pain there were plenty of light moments and joyful ones, but people don't realize that because theįilm insisted on showing all the bickering and not much of the love. Let it Be is not only better than the White Album, it's also better thanĪbbey Road. Songwriting and singing talents were certainly not. Their friendships as band mates may have been coming apart but their The White Album and continued with Let it Be. The Beatles similarly began this process on The touching rootsy music of Workingman's Dead and the superior American Beauty. After years ofįlying through the acid cosmos and needing to come back to Earth, they delivered their most enduring collection of songs with Ways, in other ways the Let it Be album is similar to what the Dead did with the classic American Beauty.
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Psychedelia to confront adult themes in a very direct, honest, and yes painful way. Whatever the reasons theyĭon't change the fact that there are some truly memorable pieces of music here. Released after Abbey Road make it seem somewhat illegitimate to fans who knew the party was over. The production problems inherent to the attempts at a film and live performance clouded the band's intent. Perhaps disappointments on a number of fronts for band and audience alike created a dark cloud. That was almost like a family being ripped apart by divorce, or just good friends parting ways because of differences theyĬouldn't resolve. I sometimes wonder if it's the fact that people were mourning the passing of a great band It can't be the songs because this is one of I could never quite figure out why this album turned off so many Beatles fans. The Black Sheep of the Beatle family is near perfection. John Barham / choral arrangements (4,9,10)ĭisc 1 contains a remixed and remastered version of their 1970 album "Let It Be" without Spector's overdubs and without the incidental studio chatter and also omits "Dig It" and "Maggie Mae", replacing them with "Don't Let Me Down"ĭisc 2 includes recordings of song excerpts and the band chit-chatting (removed dialogue that had appeared on the original album) the whole captured during the Get Back Sessions, a unique insight into the Beatles at work in rehearsal and in the studio during January 1969.Īrtwork: Wherefore Art? with Ethan Russell (photo)ĢxLP Apple Records - 07243 595438 0 2 (2003, Europe) Remixed by Allan Rouse, Guy Massey & Paul Hicks and remastered by Steve RookeĢxCD Apple Records - 07243 595713 2 4 (2003, Europe) Brian Rogers / string & brass arrangements (10) Richard Hewson / string & brass arrangements (4,9) Billy Preston / Hammond organ (11), electric piano (1,2,4,6,7) George Martin / string & brass arrangements (11), original production Paul McCartney / bass, acoustic guitar (5), piano (3,4,10,11), Hammond & electric piano (9), maracas (11), lead (1,4-7) & backing vocals
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John Lennon / lead (1), lap steel (3), acoustic (5,10) & rhythm guitars, 6-string bass (4,11), whistling (5), lead (2,5-7,10) & backing vocals George Harrison / acoustic (3,9), lead & rhythm guitars, tambura (10), lead (3,9) & backing vocals Fancy My Chances with You - 17:48-18:15 She Came In Through the Bathroom Window - 10:58-11:03
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Because I Know You Love Me So - 2:42-4:15 Disc 2 - Fly On The Wall - Song excerpts and Dialogues (21:55)